AI generated painting exploring possible futures in and around water as part of the Climate Imaginaries at Sea Program. Credits: Visual Methodologies Collective (prompt), KaliYuga (Model).


Climate Imaginaries at Sea speculates possible futures in and around water through various artistic and participatory research practices. 

Three collaborating research groups bring the project forward: Art & Spatial Praxis at the Gerrit Rietveld Academy (GRA), the Lectorate of the Academy of Theatre and Dance at the Amsterdam University of the Arts (AHK) and the Visual Methodologies Collective at the Amsterdam University of Applied Sciences (AUAS). The research groups work in partnership with ARIAS, a platform for artistic research in Amsterdam, and a network of partners that includes Tolhuistuin, the Institute for Sound & Vision and CoECI – Centre of Expertise for Creative Innovation.

Starting in 2023, three newly developed artistic research studios will invite artists to develop artistic imaginaries that address rising sea levels. The artistic research studios will pay particular attention to perspectives often missing from mainstream climate change debates: material, indigenous, and interspecies inquiry. Each studio will work without predetermined disciplinary boundaries through practice-led artistic research and written and non-textual forms such as installations, sounds, movements, images and objects. In addition, students will be actively involved in the research by developing imaginative engagements with rising sea levels as both a future prospect and a present reality in various parts of the world.

Imagining the future of climate change is crucial for accepting change, whether in our personal lives, environment or politics. As the author Amitav Ghosh points out, “the climate crisis is also a crisis of the imagination.” 

Who has the privilege to imagine the future of climate change, and for whom are its effects already present? Acknowledging an unequal present where rising sea levels affect low-income populations and people of colour the hardest is crucial, as those communities are also the most vulnerable and the ones with the lowest amount of emissions responsible for the climate crisis. 

The questions leading the studios are: 

How can artists connect people to indigenous water and climate knowledges across multiple cultural perspectives where the consequences of rising sea levels are already a reality in the present? 

How can we understand the impact of rising sea levels in relation to housing, clothing and soil through material artistic research? 

How can interspecies imaginaries help form different relationships with rising seas beyond considering them as merely a threat?


Researchers, Makers & Partners

Sabine Niederer
Patricia de Vries
Laura Cull Ó Maoilearca
Carlo De Gaetano
Maarten Groen
Andy Dockett
Kim Spierenburg
Mariana Fernandez
Nienke Scholts
Natalia Sanchez Querubín
Janine Armin
Femke Dekker
Zikzira Physical Theatre
Tommaso Campagna
Liza Prins
Laura Dubourjal
Joyce Drosterij
Mercedes Azpilicueta
Nick Axel
Anne Dessing
Marilixe Beernink
Gwenoële Trapman
Marijke Schaap
Amanda Piña
Juan José Katira Ramirez
Dakaya Lenz
Coco Duivenvoorde
Mikki Stelder
Joy Brandsma
Stefan Schäfer